एव्हरिबडी लव्ज आँट सेरिना

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लॉजिकस्तत्र दुर्लभ:

By ramataram on from https://vechitchaalalo.blogspot.com

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गाणारं व्हायलिन

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समीक्षकाचे स्वगत

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सोयरे वनचरी

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बळी

By ramataram on from https://vechitchaalalo.blogspot.com

(’त्रिशंकू’ - चिं. त्र्यं. खानोलकर)"वासंती मेली." बाळ्यानं पहिल्यांदाच फटकन सांगितलं. नान्याचा चेहरा कोवळाकोवळा होऊन गेला."पुढं ऐक. आम्हाला कुणालाच माहीत नाही ती आजारी आहे हे. चाळीतली माणसं पहिल्यांदा थोडी बुचकळ्यात पडली. हिचं झालं काय? ही येत का नाही? ही माणसं भलतंच काही समजली. कुजबूज सुरू. हे चाळीचं म्हणजे एकदम ठेवणीतलं. सांगतो काय. या लोकांना अकलाच नाहीत..."मधेच सुधा दारापाशी गेली. तिनं दारा
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मळकर्णीचा डोंगूर...

By ramataram on from https://vechitchaalalo.blogspot.com

(’डोंगर म्हातारा झाला.’ - अनिल बर्वे) चढणीवर आणखी एका अप-टु-डेट माणसाची पावलं पडलेली पाहताच मळकर्णीचा डोंगर स्वत:शीच पुटपुटला,’सटवाईनं नशिबी लिहिलेलं कधी चुकायचं नाही !’... आता आजच्या विज्ञानयुगात ’सटवाईनं नशिबी लिहिण्याची’ भाषा शोभून दिसत नाही, हे खरं, तरी पण मळकर्णीचा डोंगर चार बुकं देखील न शिकलेला नांगरगट्ट्या डोंगर, घडणार्‍या घडामोडींचा अधिक काय अर्थ लावू शकणार होता?पण झालं होतं, ते असं
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पोर पोशिंदा जाह्लं

By ramataram on from https://vechitchaalalo.blogspot.com

"Piper", Animation Short by Pixar Studios, 2016 दृश्य माध्यमांमध्ये चलच्चित्रांचे अर्थात Animationचे माध्यम हे प्रामुख्याने लहान मुलांच्या करमणुकीसाठी आहे असा एक व्यापक गैरसमज आहे. सतत करमणूकप्रधान, ’विचार करायला लावू नका ब्वा’ म्हणत उथळ करमणुकीच्या शोधात असणार्‍यांना तेवढी एकच बाजू दिसते यात आश्चर्य नाही. परदेशी चित्रपट म्हणजे केवळ हॉलिवूड, आणि हॉलिवूड म्हणजे कृतक-हिरोंचे अशक्य, अतर्क्य कारनामे
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जीवनाचे पोर्ट्रेट

By ramataram on from https://vechitchaalalo.blogspot.com

गंभीर चेहर्‍याच्या आणि कधीही न हसणार्‍या, मोजके बोलणार्‍या आणि चार चौघांपासून फटकून राहात आपले वेगळेपण जपणार्‍या माणसालाच जगण्याबद्दलचा गंभीर विचार करणे शक्य होते असा एक समज उगाचच आपल्या समाजात पसरलेला दिसतो. केविन हा एका प्रसिद्ध टीव्ही सीरियलचा प्रमुख नट. नाटकवाली मंडळी ही चित्रपटाला नि त्या संबंधित मंडळींपेक्षा स्वत:ला काकणभर (कदाचित हातभरही असेल) उंच समजतात, तर चित्रपटातून बाद झालेले अभिनेते/
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हैरत से तक रहा था जहॉं-ए-वफा उसे (मास्टर मदन)

By ramataram on from https://vechitchaalalo.blogspot.com

अगदी बालवयातच तत्कालीन अनेक गायकांची रेकॉर्डिंग्स तंतोतंत गाणार्‍या कुमारांचे Child Prodigy म्हणून कौतुक केले जात असे. आठ वर्षांचे असताना त्यांनी गायलेल्या ’रामकली’च्या रेकॉर्डने मला बेभान केले होते. खुद्द कुमारांनी प्रा. माधव मोहोळकर यांना दिलेल्या मुलाखतीत असे म्हटले आहे की, 'ती सारी पोपटपंची होती. इतरांची गायकी तंतोतंत गाणे म्हणजे गाणे नव्हे. गायकाची वाट स्वत:ची असायला हवी.' पुढे संगीत क्षेत्र
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